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May 26th
The Zoo Story/Therac 25
When: Thursdays-Sundays, 7:30 p.m. Continues through June 5
Price: $10 general admisson and $5 students / seniors
Out Front on Main, Inc. is pleased to present auditions for two powerful shows. For Information (615) 516-6279 or www.outfrontonmain.com Out Front on Main, Inc. is located at 1511 E. Main Street, Murfreesboro, in historic downtown. No Prepared material is required. Auditions are Sunday and Monday, June 12-13 from 6-8pm.
Rabbit Hole Directed for the stage by George W. Manus, Jr. runs for two week-ends in July. Rabbit Hole is a play written by David Lindsay-Abaire. It was the recipient of the 2007 Pulitzer Prize for Drama. The play deals with the ways family members survive a major loss, and includes comedy as well as drama. Characters (in order of appearance) Izzy—Becca’s irresponsible but well-wishing sister. Unwed but in a relationship with Auggie. She is pregnant throughout the duration of the play. This creates tension between her and Becca because Becca thinks it’s not fair that Izzy has a child and she doesn’t. Becca—Howie’s wife in her late thirties. She is usually a very responsible and sensible person, but makes some harsh decisions throughout the play because of grief. Howie accuses her of subconsciously trying to “erase” Danny by selling the house and erasing one of Danny’s baby videos. Howie—Becca’s husband in his late thirties. Very caring, but has a hard time dealing with Danny’s death, which causes him to be angry and depressed (though he hides it as much as possible) Nat—Izzy and Becca’s mother. Voice of reason for her daughters. She helps Howie and Becca in the moving process and provides motherly experience to Becca. Her son (Becca’s brother, Arthur) a heroin addict, died of suicide at the age of 30. Jason Willette—17-year-old boy who accidentally hit Danny with his car, leading to Danny’s death. Lives with his mom; his father’s whereabouts are never revealed but the writing suggests he’s dead. He enjoys science fiction and writes a story about rabbit holes in Danny’s memory
Jeffrey directed by Buddy R. Jones runs for three week-ends in August. Jeffrey, the title character of Paul Rudnick’s wildly funny new comedy, is a gay man in his mid-30′s who, exhausted from negotiating safe sex, decides to become celibate. It’s not that he hasn’t had his share of adventure. Acclaimed writer Paul Rudnick (I Hate Hamlet, In & Out), crafts this Obie Award-winning romantic comedy that follows the title character, a gay actor and waiter, who’s just given up trying to find love in the treacherous HIV/AIDS landscape of 1990s New York when he meets the man of his dreams. Roles available for many actors of various age, sex and race.
May 19th
Edward Albee’s The Zoo Story is a one act play in which conversation leads to a violent ending. Coherent of the richness of Albee’s utterly arresting language, and his astonishing nuances of psychological attack and retreat, the play can be described as follows: A man named
Peter (George W. Manus, Jr.), a complacent publishing executive of middle age and upper-middle income, is comfortably reading a book on his favorite bench in New York’s Central Park on a sunny afternoon. Along comes Jerry (Justin Hand), an aggressive, seedy, erratic loner. Jerry announces that he has been to the (Central Park) Zoo and eventually gets Peter, who clearly would rather be left alone, to put down his book and actually enter into a conversation.
Adam Pettle’s script, Therac 25, not only sidesteps the emotional abyss of young people dealing with cancer, it also circumvents love story clichés. Rather than playing with hearts and flowers ideas about romance, Pettle follows along the lines of 1970s writer M. Scott Peck, who defined love as “the will to extend one’s self for the purpose of nurturing one’s own or another’s spiritual growth.” Instead of a pity party, Pettle gives us characters who fend off sentiment by being specific and singular, by being drawn together not just because they both have cancer, but because they have something to offer each other. Playwright Adam Pettle wrote Therac 25 in his early 20s when he was undergoing radiation therapy. Named after a poorly designed Canadian cancer-radiation machine that killed and damaged people in the 1980s, the title sounds grimly, inhumanly clinical. But its story of two people (Andy Woloszyn and Heather Deane Danielsen) who meet in a hospital and fall in love while undergoing cancer treatment plunks the play right in the heart of the possibly-dying-young genre. The “possibly” creates both suspense — disease is more equally matched against the hearty young than the decrepit old — and tragedy. The love story creates romance. The genre offers a perfect recipe for theatrical catharsis!