Archive for October, 2011

Out Front on NewsChannel 5!

BUG Audience Comments now onstage Tonight-Halloween at 7:30pm

 

Team Letts

 

Team Tracy

I have been anxiously awaiting this play for quite some time now. Having been a fan of it I figured I would treat myself twice. I saw both casts. I was not expecting much difference, well I was wrong! No big surprise for those who know me. Although I’m no expert, I found both casts compelling and very believable. Last weeks performance featuring ‘Team Tracy’ was a great way for the paranoia to begin.

The setting is rather depressing. Agnes, played with realistic perfection by Molly Breen, is a lonely, broken woman trying to live in obscurity from her ex husband, soon to be released from prison. She lives in a hole in the wall, messy motel room in Oklahoma. This poor woman has had some serious losses in her life that would be impossible to overcome. Breen’s performance is extremely moving. The pain and hopelessness is evident from the very beginning. Her portrayal of Agnes is reminiscent of a woman who has already died inside, going through the motions, not expecting any happiness.
Her only bright spot is her good friend RC, played with just the right amount of humor and loving concern by Tara Mc Bay. If you are going to have a small circle of friends, you need somebody like her on your side. She is a loyal and take no crap kind of gal.
Enter Peter, played by the talented and versatile Andy Woloszyn. At first you don’t realize how complex this guy is. His slight build adds to his performance in my opinion. It makes it more believable that he would be chosen as a human lab rat. He seems harmless. Woloszyn gives this character a touching, sympathy inducing quality. He makes you want to comfort and assure him that everything is going to be okay. Obviously Agnes felt the same way. Woloszyn really taps in to the psychopathic side of Peter. Fate brought him to Agnes it seems. He fills the void in her life. She grabs hold and don’t let go.
Her ex husband, Goss, played with a cocky mean streak and a knack for emotional and physical abuse, by Mic Rex, finds her and shows up every now and then to create more tension to the mix. He is intimidating, but in that uncertain mind game playing sort of way.
As the show evolves, the unseen bugs multiply and so do the tokes on the crack pipe. As I set watching the paranoia grow, I start to get caught up in it. Peter has convinced Agnes that the bugs are in him, planted in his body as an experiment by the military. Although it seems impossible, you find yourself wondering if he is right. This is when I started to itch a little. I guess the paranoia is contagious after all.
Everything comes to a disturbing climax not long after Dr. Sweet, played with a touch of subtle madness, by Anderson Dodd, shows up looking for Peter. This play has all the elements of a good psychological mind game, with a little room for doubt about what is really happening. It is disturbing, gripping and leaves you with a jittery feeling.
I can’t imagine the emotional ride Manus had in preparation for this, considering the dual cast twist. The intimate setting of Out Front on Main allows you to feel as though you right there in that sleazy motel too, bugs and all. Highly entertaining, true to the mission statement of Out Front, very edgy, thought provoking, to say the least, and contemporary. This theater is evolving into it’s own in a very unique way. The talent and love of the craft is evident as soon as you walk in the door. If you haven’t experienced it yet, go get caught up in the chaos of Bug.

After seeing ‘Team Tracy’ last week, I felt compelled to see ‘Team Letts’, since I’ve never had the opportunity to see the same play with a different cast in the same month, in the same theater. Quite a unique concept.

The differences were evident from the start. In this performance Agnes was played with a touch more fire and attitude by Jessica Theiss. A very talented and beautiful actress who oozes sensuality and vulnerability in this play, she comes off as being down and hopeless about her grim life, but there is a spark of confidence left. She gives Agnes a more defensive and tough veneer. Although it is just a facade, we later see.

As I sat there watching this for the second time, subconsciously comparing the two casts, I realize how much of acting is in the interpretation and ownership of the character. I let go of the comparisons and allowed myself to let these talented and beautiful people on this stage to carry me into the chaos that is Bug.

Peter, played by the gorgeous and unassuming David Bennett, takes more of a matter of fact approach to the character. He is very convincing. His portrayal of Peter is more serious and dark. He gives a sense of having suffered for so long that he is oblivious to anyone who he doesn’t find important to him at the moment. Just so happens, Agnes and her shabby hole in the wall is the only thing he is focusing on in the here and now, except for the bugs, of course.

As I am drinking this all in, enter RC, Agnes’ lesbian friend, played by Quiche Fletcher. She is the one responsible for the meeting of Agnes and Peter. Fletcher gives RC a nice feminine touch. She is breathtakingly beautiful and very protective of her friend. She quickly shows that pretty don’t mean weak. Her portrayal of RC gives you a sense of a lioness, exotic and graceful, you just don’t get too close, because she can take your head off if she so chooses.

As expected, in walks, completely unannounced or invited, Goss, played expertly by Buddy Jones. His adaption of Goss is so disturbing. Instantly you sense the intimidation and brutality of his personality. More mind game, less physical game, although he does throw his physical weight around some on Agnes. Jones immerses himself in Goss so thoroughly it is impossible for me to describe in words. His performance alone is reason enough to see this show. I have watched Buddy Jones evolve over the past year or so at Out Front and he never ceases to amaze me. His range and versatility is second to none.

As expected the paranoia takes over. Peter and Agnes holed up in isolation, in fear of being found fighting the infestation alone. That is until Dr. Sweet, played with a disturbing, slightly evil twist, by Hudson Wilkins, shows up looking for Peter. Wilkins gives this character a dark sinister flair. When he helps himself to the crack pipe that is ever present on the table, you get a feeling that he is perhaps just as disturbed as Peter. Just maybe there is some truth to Peter’s paranoia? Right when you think it is all in their heads, Dr. Sweet makes you wonder…could it be true? Unfortunately we never find out.

The climactic ending to this play leaves you feeling a little uneasy. Aside from feeling a little itchy, you want more. One wonders if the paranoia is because of the drugs or the bugs, or the drugs and the bugs are because of the paranoia?  Just go see it and draw your own conclusion. Well worth the effort. If you haven’t experienced Out Front on Main yet, you are missing out. I promise you will be welcomed with a smile and swept away into the disturbing reality of Tracy Letts Bug. There is no comparison, both casts are phenomenal in there own right. Either way you go, you will be glad you went.

Posted by Zui on October 22, 2011

Nashville Scene Review of Bug: Roach Motel

Molly Breen(Agnes) and Andy Woloszyn(Peter)

Out Front on Main’s staging of Bug, Tracy Letts’ tale of paranoia and dissolution, is uneven but worthwhile

Roach Motel

by Martin Brady

October 20, 2011Arts and Entertainment>>Theatre

Bug
Presented by Out Front on Main
Through Oct. 30 at 1511 E. Main St., Murfreesboro

The Tracy Letts era in Middle Tennessee was launched last weekend with the regional premiere of Bug at Out Front on Main in Murfreesboro. While many theatergoers await Tennessee Repertory Theatre’s highly anticipated opening of the playwright’s Superior Donuts in March, George Manus Jr.’s storefront enterprise hosts the area’s first official onstage look at a Letts work (not including play readings).

Bug is an oddity dating from 1996, early in the author’s career. Stylistically, it’s something of a cross between Sam Shepard and Lanford Wilson, with dissolute characters trapped in a seedy paranoid fantasy while helicopters hover ominously overhead.

The bugs here are presumably symbolic — they’re the pink elephants that might plague any poor devil victimized by U.S. Army experiments. That’s ex-soldier Peter’s story, as he tells it. He’s a Desert Storm vet, but now he’s taken refuge in the Oklahoma motel room of down-and-out Agnes, who subsists on vodka and cocaine. Among her other problems is her creepy and abusive ex-con boyfriend Goss, who has a tendency to arrive on her doorstep unannounced. Her lesbian friend R.C. also shows up occasionally to use the phone, and in the end a certain Dr. Sweet puts in an appearance. (Apparently the latter is a main player in the governmental lab-rat backstory and a person not to be trusted.)

The dialogue is coarse, but not the bluest you’ll come across. The drug taking is well simulated but never extreme or overly gross. There is a fair amount of nudity, mostly involving leading lady Molly Breen. According to director Manus, the script is specific about the nudity’s use, and it certainly adds to the naturalistic feel — that’s what people look like when they’re hanging out in motel rooms and don’t care what they’re wearing. The tawdriness of the whole situation is reinforced by Breen’s performance, and she exploits a certain noirish femme fatale languor to courageous effect.

Andy Woloszyn is Peter. While he provides a capable performance, the role might have been better cast, since his slight build doesn’t exactly conjure images of the rugged ex-GI type. On the other hand, Mic Rex, as the loser Goss, presents some needed physical heft, and proves successful in creating an unsettling atmosphere within an already claustrophobic one.

Manus’ direction is pretty laissez-faire, though, and despite all the earthiness before us, there are missed opportunities for more dramatic interaction. And while the chaotic, random-looking set can be excused as functional to the story — it’s a fleabag, after all — the poor lighting cannot, and that’s a significant shortcoming.

Interestingly, Manus has double-cast his show for its forthcoming second weekend, and curious onlookers will experience a cast headed up by Jessica Theiss. For the play’s third and final weekend, Manus plans to mix and match the players. (You can’t say the Murfreesboro producer-director isn’t trying to stir the artistic pot in his little piece of the world.)

The above flaws notwithstanding, Out Front’s staging of Bug is still somewhat compelling — for its daring, and for the opportunity it provides to see some of Letts’ work. If you are easily offended, or are looking for a slick theatrical production, it may not be for you. But if you prefer drama with gritty realism and dramatic tension, Bug is worth the sting.

And Nashville Scene’s Critic’s Pick:

Tracy Letts’ Bug

Thursdays-Sundays, 7:30 p.m. Continues through Oct. 31
@ Out Front on Main 1511 E. Main Street (map)
Murfreesboro Murfreesboro

Tracy Letts is a super-hot playwright. He received the 2008 Pulitzer Prize for drama for August: Osage County, and productions of his other works are catching fire regionally, including Superior Donuts, which Tennessee Repertory Theatre will mount in March. Letts writes gritty stuff, which makes this 1996 squalor-fest perfect for George W. Manus Jr.’s progressive program at the ’Boro’s Out Front on Main theater company. Made into a film that was released in 2006 — directed by William Friedkin, and starring Ashley Judd, Harry Connick Jr. and Michael Shannon — Bug’s an intense piece about an unhinged war veteran hiding from the world with a lonely, abused woman in a lowdown Oklahoma motel room. Dysfunction and violence are the order of business here, with events conspiring to spiral the play into even lower depths. There’s simulated drug use and strong language, and, per the theatrical grapevine, also the rumor of un-simulated nudity. Interestingly, director Manus has assembled two different casts. Performing Oct. 13-16 are Andy Woloszyn, Molly Breen, Tara McBay, Michael Rex and Anderson Dodd. The Oct. 20-23 cast is David Bennett, Jessica Theiss, Quiche Fletcher, Buddy R. Jones and Hudson Wilkins. The casts alternate the remaining performances.                    $10, $5 students and seniors

ROAD TRIP! – go see BUG!

Review by Jaz Dorsey, Dramaturg at large.
 OUT FRONT ON MAIN is a classy and classic example of what has come to be called “storefront theatre” – of the kind you’d expect to find in cities like Chicago, San Francisco or Seattle. Except OUT FRONT ON MAIN is in Murfreesboro, Tennessee.

Artistic Director George Manus has converted a former bridal shop at 1511 Main Street into a fun and intimate jewel box of a theatre that would be the envy of many a theatrical impresario in our urban age. Seating 50, OUT FRONT has everything a theatre needs, from a nifty little lobby whose walls are covered with company posters, to a mobile tech booth, eclectic seating and a swell stage space that currently sports Manus’ handsome set for Tracy Lett’s really weird play BUG. The theatre sits along side three or four other smart looking shops, including a very enticing coffee/tea bar called CHILL SPOT and a quite nice Chinese restaurant where you can grab some sweet and sour while waiting for the show to start.

Checking out the posters on the lobby wall, you see the company history of a string of edgy and wacky shows that reads like the off off Broadway listings in The Village Voice, with titles like THE MARIJUANA-LOGES to FOR WHOM THE SOUTHERN BELLE TOLLS to numerous stand up comedy events to something called VAUDEBORO.

The current offering, as mentioned above, is a play called BUG by playwright Tracy Letts, best known as the Pulitzer Prize winner for AUGUST; OSAGE COUNTY.

BUG is a very strange play that fuses the energies of Tennessee Williams and Sam Shepard, with a touch of The X-Files thrown in for good measure – along with some very tasteful nudity. Not what you’d expect to find in Murfreesboro, maybe, but then again, when it comes to theatre, Murfreesboro is full of surprises.

Keeping the innovation wheels spinning, Manus has put together TWO casts who will share the stage over a three week period. Cast one takes the first week, cast two takes the second week, and then for week three the casts alternate days. There may even be a “luck of the draw” performance where cast members from both casts “mix it up.”

The cast for Saturday, October 15th included Molly Breen, Andy Woloszyn, Tara McBay, Mic Rex and Anderson Dodd. Breen plays Agnes, a disenfranchised bar maid who lives in a low end motel room in “twilight zone” Oklahoma. Agnes hangs out with her lesbian buddy R.C. (sharply played by Tara McBay with appropriate hair cut) and the two gals enjoy a narcotic based camaraderie which is disrupted by the arrival of a couple of dudes – specifically Agnes’ recently paroled ex-husband Goss (Mic Rex)  and the schizophrenic Peter (Andy Woloszyn) who, it seems, is AWOL from the military, which he claims has held him prisoner for four years while experimenting on turning the human body into a weapon of biological warfare – which may or may not be confirmed by the arrival of the  unfortunate Dr. Sweet (Anderson Dodd) at the end of the play.

The role of Agnes gives Breen an excellent chance to stretch her acting wings and wear some pretty racy lingerie, as she degenerates from simply morose to flat out whacked out, caught up in the escalating paranoia of her lover Peter. Woloszyn’s dark hair, pale skin and intensity work beautifully for the character of the fragile young soldier who is hiding from “them” and Aggie’s ex, Goss, is pretty scary in the hands of Mr. Rex. Come to think of it, Anderson Dodd’s Dr. Sweet is pretty scary, too – he looks like such a nice young man – but what, really, is he doing there?

Next week’s cast includes Jessica Theiss, David Bennett, Quiche Fletcher, Buddy R. Jones and Hudson Wilkes.

As director Manus points out, it’s great fun to see both versions of the show to see how casting can affect the interpretation of the play. Neither cast has been allowed to see the other cast as of yet, so each ensemble will bring it’s own twist to the show – twist being the operative word.

For theatre lovers and those who are just discovering the joys of live theatre, a trip to Murfreesboro for an evening with BUG is an absolute must.

For more info on OUT FRONT ON MAIN – including Jeffrey Ellis’ in depth interview with Mr. Manus on Broadway World – visit the website at www.outfrontonmain.com

Come to Murfreesboro and Go to the Theatre!

 
Jazmn47